|
Manhattan Arts Magazine featured me as an “Artist To Watch” In The 90’S.
Breaking free of the tight exacting line-work required in technical illustration, the expressive use of larger brushwork was achieved without the use of posterize filter effect options found in programs like Photoshop, a digital process so frequently now utilized by digital artists. This work is most often created in acrylic with a limited palette and fairly large chisel brushes. Acrylic on illustration board is entirely unforgiving. Since the white is the exposed board, you need to have unwavering commitment to each brush stroke. The fluid intention of brush movements is as liberating as the materials are restricting. | ||
Samples of a few paintings from the Graphic Femme and Portraits Collection.
Downloading the PDF to view the rest of this particular collection, related stories and artist information, it loads faster than post so many image files.
Downloading the PDF to view the rest of this particular collection, related stories and artist information, it loads faster than post so many image files.
|
